JOHN CORIOLAN SUMS IT UP IN PERSON

                         I, as ‘John Coriolan', wrote A SAND FORTRESS in 1967, based on a Fire Island event I'd heard about, and in defiance of the ‘decencies' which Rechy's popular novel about a gay hustler, CITY OF NIGHT, had not flouted.. It took my agent a year to find a publisher bold enough to publish my thoroughly explicit script but when A SAND FORTRESS was put out in1968,with ‘the most penetrating and perceptive novel ever published' on its cover, it sold two hundred thousand copies—in bus stations, drug stores, supermarkets and Barnes and Nobles book stores. Meanwhile, Richard Amory's idyllic SONG OF THE LOON about Indians and white pioneer-males and explicit, too, and Sam Steward's hustler ‘Phil Andros' explicit but literary stories were being published. The next year, 1969, Gordon Merrick's explicit THE LORD WON'T MIND, which , like my A SAND FORTRESS, was about gay life in New York before the Stonewall Riot, and the epic madness of the Woodstock week-end, came out—in hard covers! and it made the official Best Sellers List!
     I had known Merrick for years; I became friends with Steward and ‘Amory' (we were never a self-conscious Lavender Quill Group) and, in the early '70s, with fellow Olympia Press authors, Carl Flinders—who wrote a series of popular "Twelve Inches" novels—and Marco Vassi, who wrote lyrically of his bisexual experiences. Olympia published my story-collection SEVEN WAYS FROM SUNDAY just as they went bankrupt. At the adjudication, a man bought the Olympia warehouse and burned the books stored there for distribution; he just wanted the space.
     Ex-Olympia editor Frances Green, as Renaissance House, put out a 1000 copy edition of my new Fire Island Pines-in-1973 novel, THREE WEEKS IN JULY; it was reprinted by Grey Fox Press of San Francisco in 1984, as CHRISTY DANCING. When Black friends ask why I never write about Black characters, I remind them that the Krishna-like central character ‘Christy' is black, a popular gay novelist and a ex-Broadway star-dancer. My private life has been quite "inclusive"; so have my fictions. Physical variations are seldom made remarkable—except for cock-size; there's an XXL cock central to every novel and story I write; they interest me and my readers know to expect finding one or several big, enticing ones in any ‘Coriolan opus'. Their action is set in a wide variety of places and the changes Time brings are duly noted too, I hope.
     Winston Leyland of Gay Sunshine Press published—and distributed!—my second story-collection, UNZIPPED, in 1983, with seven of Tom of Finland's most popular drawings in it, uncropped, and on its cover, cropped. I'd corresponded with ‘Tom'-Touko for years. I sometimes sent him sketches of men I thought interesting and he sometimes produced drawings based on these sketches in this unique style. He'd even given me one of his drawings; a copy of it is among those in the book, the one with the cop. UNZIPPED included the novella "The E-V," which I suspect helped make male stripping not just a popular gay-voyeuristic pleasure but a semi-legitimate business. A major character in it is black factory-boss and super-hung show-off "Carl Whitney" whom the narrator loves, ‘appreciates' ecstatically. As who would not?? UNZIPPED also offers the story of a Great Beauty who tires of being a Famous Gay Lust-Object; also, the case of a merry and generous employee making life lovely for several less lucky fellow-workers, and the case of a Special Male allowing a friend to do what he so enjoyed doing once before. I enjoy telling about odd but credible psychological twists, especially those anyone may encounter and find mystifying.
     In 1984 Leyland published THE SMILE OF EROS. my ‘romance-novel for gay males', which was set in some large US city, but not in a metropolis like New York, L.A., Boston, Chicago—perhaps in Indianapolis, Kansas City, Denver? and not in a Gay Mecca. After all, lasting liaisons between married men of forty and charming young males of twenty-two do happen there, too…even if the older man is not super-endowed and the younger is not an artist. And a local professor doesn't get together occasionally all the biggest-hung males he knows for a private frolic. Which frolic includes of course several black males and a porn-star on acid.
     Leyland followed it with reprint of A SAND FORTRESS, for which I wrote an additional chapter which brought it up to date…expectably but amusingly, I presumed. One of gorgeous-hero "Mike Kincade's" college-roommate-lovers has married and has a grown son, who, with his father, his mother, and his fiancée, goes to see a touring production of Noel Coward's giddy comedy, "Design for Living". In it, Mike and another actor gaily strip bare, with big ones a-flopping. When they all meet backstage, the son is not turned on, and neither is his father! More human psychology: one fervid gay romance does not a Committed Queer make! Change happens. Get used to it!
     In 1985 Leyland also published another volume of my stories, DREAM STUD, eight stories, two of them set in New York bars, others in a Deep South used furniture store, in a Key West restaurant, in a L.A. motel, a college dormitory-room, a Long Island Railway car, a New York opera-house dressing-room. One had a woman as a major character, three others had women as minor characters. All the males involved were gay or probably gay but one was ‘straight'—he just enjoyed showing off and even jacking off  for an excited admirer of it. A few of the males were ‘African-American'; several were Latino; two were Hungarian. Inclusive, but ‘as needed.'
     For several years, a new, young and I supposed ‘hungry' agent misrepresented me and failed to show several of my ‘cross-over' scripts to anyone—scripts for four novels in which overtly gay characters mingled with adamantly straight characters—erotic activities seldom a major issue…as in Iris Murdock's novels and as in almost no US novels, not even Roth's, Bellow's, nor Faulkner's. Strangely perhaps, Hemingway did include gay characters in at least two of his novels, and Thornton Wilder, in his early "Bridge of San Luis Rey," at least hinted broadly. Yukio Mishima was one of the few highly respected authors of the 1980s who made explicit his characters' same-gender erotic interests, as, in films, did Pasolini, Fassbinder, ‘Rosa Paulein' and Greenaway. Three ‘romance pot-boilers' that I submitted directly to an editor-friend at Harlequin Books were refused ‘because the heroes were not perfect from the first page'! I swore off writing! For years.
     Recently, Bill Warner of GLB Publishers has begun offering many of my novels and stories, including a new one DANCING ON THE BARRICADES, about a ‘mostly-gay' dance troupe touring the US and into Mexico and Canada, who find that they are being used to ‘cover' fund-raising for an ambitious professor-politician who hopes to be the first President of the Planet. Does this suggest anyone to you? Each episode of the tour is told about by a different member of the group. It's odd but FUN! This book is available both in print and as an e-Book. Although some of the early books may still be available in print editions, they are being revived by Warner as e-books on this web site as well as at
<  www.GLBpubs.com  >.
                 

LINKS: Dancing on the Barricades ( Novel, Print and e-Book)

          A Sand Fortress   (Novel e-Book)

          Christy Dancing   (Novel e-Book)

          Dream Stud   (E-Book Short stories
                                     and as Collection e-Book)

          The Smile of Eros   (Novel e-Book)

          Unzipped   (Novella e-Book and
                                    6 Short Stories as e-Books)

AND NEWLY WRITTEN BY THE MASTER!!

Of This World and the Other    (New 2005 Novel e-Book)

Country Boys

Aristocrat

The Destiny of Bobby (Joyboy) Baynes

[ A Sand Fortress | Christy Dancing | The Smile of Eros | Of This World and the Other ] [ Unzipped (entire volume) ]

[ Dream Stud and Other Stories | Country Boys ] [ Aristocrat | The Destiny of Bobby (Joyboy) Baynes ]